Protein Homology Network, data visualization by Alex Adai, Institute for Cellular and Molecular Biology – University of Texas, 2002

“The network summarizes the results of aprox. 92 billion pairwise amino acid sequence alignments between 289,069 proteins from 90 genomes. The final network is composed of 27,325 connected sets summing to 7,940,873 edges. An edge is colored blue if it connectes 2 proteins from the same species, and red if it connects 2 proteins from 2 different species. If that information is not available the edges are colored based on layout hierarchy.”

via Visual Complexity

Image 1: Basket stars (Gorgonocephalus) SERPENT project (img source)

“These basket stars were observed offshore Norway at the Midnattsol field. They are at the top of a ridge on the seabed at 928m depth using their branched arms for filter feeding in the strong currents.

archive.serpentproject.com/1107/ ”

Image 2: Basket star (Gorgonocephalus) SERPENT project (img source)

“This basket star was observed offshore Norway at the Midnattsol field at 928m depth. You can see a big close-up of this creature at http://www.serpentproject.com/magnify_gorgon.php

archive.serpentproject.com/1107/ ”

Image 3: GorgonocephalusSERPENT project (cc-by-nc-nd)

That second one has its mouth facing up — there are photos out there, but watch out — it’s nightmare fuel! (see also: Sarlacc)

Via this excellent photoessay!
http://echinoblog.blogspot.com/2013/01/a-galaxy-class-of-gorgonocephalus.html

(Sarlacc comparison from this post)

Image 1: Basket star (Astroglymma sculptum). Teresa Zubi, 2005 (source

Image 2: Giant Basket Starfish (Astrophyton muricatum) juvenile on Common Sea Fan (Gorgonia ventalina) Belize. Chris Newbert (source)

Image 3: Crystalline Entity encounters the Enterprise-D (comparison made in this excellent photoessay)

More info: http://echinoblog.blogspot.com/2010/01/gorgonocephalus-because-weird-is-what.html

Madreporites on sea stars

The madreporite is a lightcolored calcerous opening used to filter water into the water vascular system of echinoderms. It acts like a pressure-equalizing valve. […] Close up, it is visibly structured, resembling a “madrepore” (stone coral, Scleractinia) colony.” — Wikipedia

Image 1: Madreporites, from Pierce and Maugel’s 1987 Illustrated Invertebrate Anatomy (via “How Starfish Move”)

Image 2: Madreporite of Henricia pumila:The madreporite is creamy colored as in the type specimen.  Notice the papulae extended among the pseudopaxillae.” (Source)

I don’t know what to call this pattern, but I like it!

Image 1: “The Maze” by Debralee Wiseberg (link and another gallery)… I think it’s corroded metal?

Image 2: 2,2-(Bipyridine)(Naphthalene)-fusion melt (25x)

Herb Comess. Honorable Mention, 1994 Nikon Small World Photomicrography Competition (link)

Gorgonocephalus eucnemis, a species of basket star (starfish) from the Arctic

Photo by John Rix: http://www.flickr.com/photos/fathomthis/1795586640/

Basket Star reaching into the void (Gorgonocephalus eucnemis)

Queen Charlotte Strait, BC, 7 Tree Island, 2007

http://www.fathomthis.ca/simple_gallery/print_gallery.html

More info:

http://echinoblog.blogspot.com/2010/01/gorgonocephalus-because-weird-is-what.html

http://en.wikipedia.org/wiki/Gorgonocephalus_eucnemis

(I dressed up like a basket starfish last Halloween!)

Moravec bush robots! A design for fractal branching ultra dextrous robots, proposed by Hans Moravec:

http://www.islandone.org/MMSG/HansMoravecRobotBush.html

Image 1: Woefully unsourced! Clipped from a scanned PDF, more than likely… possibly from Mind Children by Hans Moravec?

Image 2Moravec, Hans; Easudes, Jesse; Dellaert, Frank (1999). “Fractal branching ultra-dexterous robots (Bush robots)”. NASA Advanced Concepts Research Project. PR-Number 10-86888.

(Wikipedia on Bush robots)

Ethan Turpin, Video Feedback: Pixel Behaviors, 2010,

Sight-specific installation, Kala Studio, Berkeley, CA 2010

“Pointing a live video camera at its own projection gives what is known as a “video feedback loop”. The camera reads the screen and then projects the image, in a repeating vortex. By carefully adjusting the angles and standard controls on a mid-1990′s-era video camera, Ethan Turpin isolates the self-sustaining patterns. The real-time animation can move from patterns resembling pantheistic design to microorganisms expanded to a human scale, evoking the uncanny feeling that life has emerged from within the system. Participants can move in the space between the camera and projection screen surface, integrating into the abstracted image.”

http://www.sbartsblog.com/2012/10/16/upcoming-at-caf/ 

“Kaleidoscope feedback,” Peter from Xinaesthetic, 2009

Caption: “I’ve been playing around a bit with doing video feedback through a kaleidoscope shader.

In these images, the ‘seed’ that is fed into the feedback is simply the plain black or white background of the window. There is a single rectangle rendered with the output of the previous frame as a texture, which is fed through a GLSL shader which inverts colour and applies a kaleidoscope effect, resulting in rich chaotic imagery.”

http://www.xinaesthetic.net/2009/10/kaleidoscope-feedback/

order and chaos, grayscale, edge of chaos, feedback, generative art, algorithmic, fractal, square, dendritic

Ceramium spp. and a bonus Callithamnion sp. (red algae)

Image 1: Source: Algaebase

Caption: Ceramium juliae, Morris Point, Stilbaai, South Africa. 31 Oct 2001. Herre Stegenga. © Herre Stegenga 

Image 2: Source: Algaebase

Caption: Ceramium mazatlanense. Hawaii; scale 300 µm. 15 Aug 2011. J.M. Huisman. © J.M. Huisman.

Image 3: Source: WoRMS (cc-by-nc-sa)

Caption: Ceramium pallidum

Description: microscope, location: Spain, Galicia, Coruña, Pantín’s beach, 2007
AuthorBárbara, Ignacio
JPG file – 1.22 MB – 1000 x 1350 pixels
added on 2008-03-19 – 356 views
WoRMS Taxa on this image: 
Ceramium pallidum (Nägeli ex Kützing) Maggs & Hommersand, 1993

Image 4: Ceramium ciliatum © C. Romero Zarco – Universidad de Sevilla, 2003

http://www.aloj.us.es/carromzar/algas/Ceramiaceae.html

Image 5: Callithamnion sp., same source as Image 4